Tag: Hardcore

Records of the Year 2015

2015 was a year. This is some of the music that got me through it.

 

Albums

Svalbard album cover
Svalbard –
One Day All This Will End
Svalbard produced the album I’d been hoping they would – richly layered and addictive, it holds moments of post-rock beauty, hardcore strength and pure melodies.  A positive, uplifting record and the clear winner this year for me.

 

 

Twisted Utopia
Twisted – Utopia
This album is so good, a close second on the list. It was released in January but I came to it later on. Again this one has great melodies, something I’m a total sucker for, it’s catchy and fun with strong female vocals and punchy punk attitude oozing through on every track.

 

Nervosas st
Nervosas – Nervosas
A more frantic and aggressive sounding release from the Ohio Punks but still with the dark edge and melodies I loved from their last record, the vocals are as goth as always with fantastic female backing, and their sound is as immediate and addictive as ever.

 

all dogs
All Dogs
Kicking Every Day
I love this band. Girl fronted high energy poppy punk tunes, they really know how to put together a great tune with edge and keep you hooked.

 

 

Brother Ghost buried coverBrother/Ghost – Buried
Cinematic, multi layered, genre challenging record, cleverly redefining the sound of this band.  Hints of psych, blues, indie and post-rock, make for an anthemic, rousing listen – it all hangs together so well too, never feeling disjointed or overly complex.  There is so much here to discover and keep you coming back, it’s a real gem.

 

Taman ShudTaman ShudViper Smoke
Viper Smoke creates its own space; an all encompassing spacey zone: the production, epic yet almost claustrophobic at the same time, the distorted vocals, twin bass and gothic atmosphere, create a place you don’t want to step out of, a space away from the banal and mundane, something all the best records manage.

 

 

EnvyEnvyAthiest’s Cornea
Envy are one of my all time favourite bands, so its always a huge treat to get my hands on a new album from them. This record is, dare I say it, more accessible than I’ve heard from them in the past – shorter tracks, very melodic, some actual singing rather than all screams or spoken word, however, none of these are negative observations, this is as huge and dreamy as they’ve ever been.

 

 

ParisoParisoPariso
Pariso’s final record unfortunately – it’s unashamedly shouty male hc, they batter you with noise, but have some great moments of technical finesse, which, along with the heady nastiness is what drew me to them in the first place. The tracks are dark and meaty but with an underlying core of something more dreamy; some of the riffs really soar. Really solid, a fitting end.

 


Hag face rip

Hag Face
R.I.P.
New Hag Face is never a bad hing, The Candadian all girl punk band don’t mess about.  Attitude and a clear message combine with memorable vocals and some great tuneful touches, good stuff.

 

 

drug church hit your headDrug Church – Hit Your Head
The first of two appearances on this list for Drug Church.  The EP below made my list early on and this full length was released in October; so the band managed to bookend my year nicely.  Drug Church are so easy to listen to – melodic, gruff and full of class riffs, but thematically and lyrically they stay pleasingly off centre, giving them nicely rough edges.  Love them.

 

flesh world
Flesh World –
All The Wild Animals In My Life
I consider this a grower compared to their 2013 record, but after a few play-throughs I’m now fully on board.  Abrasive yet melodic post-punk gems, dark and scuzzy yet also quite accessible in its own way

 

 

fist city
Fist City – Everything Is A Mess

This is a very accessible and immediately memorable sophomore album from the Canadian indie-punk four piece. Melodic songs, with excellent off-kilter clipped vocals, are backed by sometimes jangly, sometimes fast and spiky guitars and hypnotic rhythms; the combination is just perfect for rocking out to.

 


steve von till album cover

Steve Von Till –
A Life Unto Itself
Steve Von Till‘s fourth solo outing is a beautiful journey into Americana with his distinctively gruff vocal delivery leading the way along with sparse acoustic guitar sounds.   It is a powerful record, a warm and comforting set of songs.

 

 

Make album cover
Make –
The Golden Veil
Its great to hear an album that plays out as a whole experience, something I seem to come across less and less – this is old school post-rock, taking me back to the days of early Godspeed, Envy, Pelican – a no nonsense, moody record full of all encompassing tunes; huge, heady and powerful, it’s easy to get lost in.

 

the good life
The Good Life –
Everybody’s Coming Down
I’m a total sucker for anything by Tim Kasher, no secret there, this is a great album though despite my predisposition.  Pretty minimal but sporting plenty of fuzzy off-kilter guitars; it doesn’t go as far as dischordant but certainly skirts around it and the guitars ride over some nice melodic touches.

 

Hell Money
Hell Money
Discography
Hell Money are a local Punk/Hardcore band, this was their final offering as a band and It’s a great collection.  The band featured Livi, front woman of Twisted and Leigh from Goodtime Boys, so as you can imagine, it’s scuzzy punk of the highest order. 

 

Employed to ServeEmployed To Serve – Greyer Than You Remember
Greyer Than You Remember is a dark ride; quirky, technical, hardcore with metallic riffage which thunders and squeals under Justine’s powerful screams.  The sound is meaty and often verging on dischordant, not an easy listen then, but this isn’t pop music so you get what you signed up for, on balance it’s nasty and powerful but also full of surprises (in a good way).

 

Asunder Sweet and other Distress
Godspeed You! Black Emperor –
Asunder, Sweet and Other Distress
Not their most spectacular album but still very beautiful and worthy of a place on this list.  Godspeed have been constant companions of mine for so long I can’t imagine not getting excited about new material from them. I’ve played this album many times since its release and wouldn’t be without it.

 

 

EPs

Octaves Caravels Split EP
Octaves/Caravels Split
A cracking split, released early in the year.  Caravels have now gone their separate ways but they certainly went out on a high and this is the best I’ve heard from Octaves in a while. 

 

 

Swell-drug-church-520x520Drug ChurchSwell
This EP continues on where the last album finished and seagues comfortably into the new one – husky vocals, playful lyrics, great melodies, heavy hit drums and rich well-rounded guitars; the whole record is a great package of memorable and addictive tunes with no duds.

 

 

Maths EP Cover ImageMathsThe Fires Courting The Sea
It’s been 4 years since we’ve heard from Maths and this return sees them in great form with a solid release; new EP The Fires Courting The Sea is 6 tracks in just 11 minutes, a fast trip through their brand of screamo/hardcore. It may pass quickly but the journey is a satisfying one – tuneful tracks with great vocal interplay, stop/start rhythms and off kilter riffage.

 

Kindling
Kindling
Galaxies
I love me a bit of scuzzy, dreamy shoegaze and this is top notch stuff from No Idea Records. I feel like I’ve warped back to the 90s and the time of Slowdive et al.

 

 

Alright EPAlrightS/T
Poppy, female-fronted indie punks, Alright, hail from Charlotte, NC and feature members of Late Bloomer and It Looks Sad.  Truthfully it was the Late Bloomer connection that drew me in, in the first place but this self-titled EP is a really sweet release with light fuzz on the guitars, simple yet catchy melodies and a breezy feel.

 

Towanda EP
TowandaBlack Sheep
The super crunchy guitar sound on this EP is brilliant, along with the bratty female vocals, I’m into this.   I thought I’d heard enough of this kind of thing recently but the Montreal trio have really got to me.

 

 

Fleabite cover smallFleabiteTTYL
Jagged yet melodic girl fronted punky pop tunes from Fleabite who are one of my new favourite bands. They have top tunes and this new record is, if anything, even more melodic than their last. Fleabite always have a layer of harsh blown-out fuzz over everything but on this new EP their sound is richer, a little easier on the ears and has a lovely surf-rock quality. Love this.

 

Telepathic coverTelepathicPowers Of Ten
The new 6 track EP from the Bleeding Rainbow folks.   This is not a million miles from their old rockin’ shoegaze sound, if you were a fan of the old band you’ll likely be in to this too.  The EP has great melodies and is nicely heavy on the guitars.

 

 

Rakta em Transe
Rakta Em Transe EP

A bit of a mash up between Rakta and Cadaver em Transe expect dark, dreamy post-punk, with danceable beats and great melodies. Two great bands do their thing.

 

Now Playing: August Round Up

This hasn’t been the best month; laid up, recovering from a dislocated knee, missing gigs I had tickets for and trapped in the flat because I can’t make it down the three flights of stairs I need to navigate to get to fresh air.  To avoid cabin fever I’ve been sprucing up the blog, catching up on reading (fanzines) and listening to some great music. Here are some recommendations from my recent binges:

 

Twisted UtopiaTwisted – Utopia
This album is so good. It was released in January but I only just picked up my copy from Specialist Records on the back of seeing them live – I urge you to check them out if they play anywhere near you. The album will be making my top ten this year because I haven’t heard a better example of catchy, scuzzy female fronted Brit-Punk in an age.  There are so many great melodies it feels unfair to pick favourites but if you want to check out a track look no further than Toxic Convener for a class example. It may be catchy fun but the record also doesn’t let you down on the punchy punk attitude, it oozes from every note. Fantastic.

 

the good lifeThe Good Life – Everybody’s Coming Down
I’m a total sucker for anything by Tim Kasher, no secret there, this is a great album though despite my predisposition.  Pretty minimal but sporting plenty of fuzzy off-kilter guitars; it doesn’t go as far as dischordant but certainly skirts around it and the guitars ride over some nice melodic touches.
If you’re looking for comparisons I’d say it walks the line between Tim’s solo work and his Cursive output, you can hear touches from both; folksy indie but with heavier blasts of guitar. As with other Good Life records though it’s more laid back and dreamy than both his other projects, some great female backing vocals on tracks like Diving Bell help to define the sound too.

 

Nervosas stNervosas – Nervosas
This new self-titled full length from the Ohio Punks feels more frantic than their previous records – they haven’t lost the dark edge or the melodies, the vocals are as goth as always with fantastic female backing and their sound is as immediate and addictive as ever but the pace is x2 and more aggressive.
Not very easy to get hold of a hard copy of this one in the UK unless you want to pay some epic postage but it is available on Bandcamp as a digital download.

 

EnvyEnvy – Atheist’s Cornea
Envy are one of my all time favourite bands, so its always a huge treat to get my hands on a new album from them. This record is, dare I say it, more accessible than I’ve heard from them in the past – shorter tracks, very melodic, some actual singing rather than all screams or spoken word, however, none of these are negative observations, this is as huge and dreamy as they’ve ever been.  This is of course an album of epic post-rock tunes, quiet/loud dynamics, beautiful strings and incredible crescendos of guitar to overwhelm.   I don’t think they have a bad record in them.

 

Towanda EP
Towanda – Black Sheep EP

The super crunchy guitar sound on this EP is brilliant, along with the bratty female vocals, I’m into this.   I thought I’d heard enough of this kind of thing recently but the Montreal trio have really got to me.

 

 

ParisoPariso – Pariso
This is Pariso’s final record, side A is new material which would have gone on a full-length and side B is essentially a rarities collection. Pariso are unashamedly shouty male hc, they batter you with noise, but, have some great moments of technical finesse, which, along with the heady nastiness is what drew me to them in the first place. The A side of this record points to what would have been a classic Pariso record in the making, it becomes tinged with melancholy when you know it will be their last release of new material. The tracks are dark and meaty but with an underlying core of something more dreamy; some of the riffs really soar. The B side is a nice touch, some gems to be had from their back catalogue, a nice package overall.

Album Review: Employed To Serve

Employed To Serve, Greyer Than You Remember, Album Review

Employed to ServeHoly Roar Records have released some great albums in the last few years and seem to have a knack for discovering great UK talent; Employed to Serve certainly fit well with their current roster which also includes Pariso, Svalbard and Rolo Tomassi amongst others.
Greyer Than You Remember is a dark ride; quirky, technical, hardcore with metallic riffage which thunders and squeals under Justine’s powerful screams.  The sound is meaty and often verging on dischordant, not an easy listen then, but this isn’t pop music so you get what you signed up for, on balance it’s nasty and powerful but also full of surprises (in a good way).

For the most part the record is intense and relies heavily on technical riffage, each moment is packed with noise and lyrically it feels pretty bleak at times, the occasional foray into the epic and cinematic brings you out of the gloom though.  Once such moment is Bones To Break,  the pace is slowed and a warmer more dreamy guitar sound takes over, bringing an almost cinematic touch, what a great track.

This reprieve is brief however and we are soon blasted back into the fray with twanging power chords and the intensity of those in your face screams on the next track, the album rarely lets up on the frenetic pacing, but if you’re in the right frame of mind its an intoxicating and addictive blend of nastiness.  It’s been a while since I heard anything this intense and its reminded me how liberating heavy music can be.

The album finishes on another of those epic notes with As Cold As The Rest bringng back the widescreen feel with some restrained guitar work, spoken word vocals and what sounds like rain or static in the background, again it works as a great counterpoint to the downtuned crunchiness of the rest of the track and makes you wonder where they might be headed on future releases, I’m sold.  Employed to Serve’s debut album is released on 25th May on Holy Roar Records.

Review: Maths – The Fires Courting The Sea

Maths EP Cover Image
It’s been 4 years since we’ve heard from Maths and this return sees them in great form with a solid release; new EP The Fires Courting The Sea is 6 tracks in just 11 minutes, a fast trip through their brand of screamo/hardcore. It may pass quickly but the journey is a satisfying one – tuneful tracks with great vocal interplay, stop/start rhythms and off kilter riffage.

Tracks like Last Night Silhouette sound like the start of an Envy epic, yet at 1 minute 56 it leaves you wanting more – they pack alot into these short tunes; changes of rhythm and tempo, fiddly riffage and a variety of vocal styles keep things interesting and leave plenty to discover on repeated play-throughs.

The EP is released on 12” vinyl (limited edition grey / black / white marble) and digital formats through Tangled Talk Records on 23rd March.

Looking Forward – Upcoming In 2015

I love the optimism of a fresh new year and there are already some great releases to look forward to in the first quarter of 2015.

Octaves Caravels Split EP
Octaves /Caravels – Split EP

Not long to wait for this first one,  a split from Octaves and Caravels which has an expected release date of 20/01/15 through Bridge 9/Topshelf; one for the post-hardcore mob. Check out the Octaves track Tom Petty Cash, taken from the EP below.

 

 

Swell-drug-church-520x520Drug Church – Swell EP
An expected release of 10/02/15 for this excellent new five track record from one of my favourite bands of 2013. The EP continues on where the album finished – husky vocals, playful lyrics, great melodies, heavy hit drums and rich well-rounded guitars. Opener But Does It Work? is a corker, closely followed by Ghost Dad, but again, the whole record is a great package of memorable and addictive tunes with no duds.

 

Pelican The Cliff
Pelican – The Cliff EP

Released on 23rd February, this is essentially a remix EP, reimagining The Cliff, a track from their 2013 release Forever Becoming. I’m not normally a fan of remixes but this one has piqued my interest with the addition of vocals and names like Justin Broadrick and Aaron Harris attached. The EP includes one new track too.

Also upcoming are new releases from MINE who have a new EP to be released but no date for this one yet and the debut full-length from Svalbard, both of which already have me salivating.

Records Of The Year 2014

Records of the year 2014
It’s almost the end of the year again, time to share with you some of the records I’ve enjoyed in 2014. I’ve tried to keep it short and sweet, only including those records that I still have on regular rotation; I could also have included albums I enjoyed reviewing – Dikembe’s Mediumship, Hoax Hunters’ Comfort and Safety and numerous others, but I’d be here all next year putting that list together, so I give you my top (random number of) albums with a few bonus EPs and singles to check out – enjoy.

RainGoodtime Boys – Rain
The first full length from this UK hardcore band realised the potential of their previous EPs and singles and expanded their sound, refining the raw heady hardcore into something melodic, well rounded but still with plenty of bite. The album manages to be instant and easy to listen to but doesn’t scrimp on the meaty riffage. Easily makes my best of the year list.

 

acid fast cover imageAcid Fast – Rabid Moon
Released early in 2014 this was an immediate addition to my best of the year list and didn’t get forgotten in the shuffle. The lasting appeal of the album comes from a core of excellent melodies and a backing of solidly hooky bass lines and sing along vocals rounding things out. There is a strong 90s influence, which is reminiscent of bands like Jawbreaker, Superchunk and, to a certain extent, The Breeders, making the album sound like it was released an age ago and has just been discovered in a dusty attic somewhere; never a bad thing in my opinion.

 

Late Bloomer Cover ImageLate Bloomer –  Things Change
Knowing nothing about this band and having no expectations, apart from liking the great cover art, I put this record on, and was instantly drawn in.  North Carolina trio Late Bloomer make me reminisce – bringing back memories of albums I loved in the 90s by Dinosaur Jr. and Galaxie 500 amongst others.  Things Change successfully melds the fuzz and distortion of a classic indie/shoegaze outfit with the melodies, riffs and vocals you’d expect to find in catchy indie-rock.  However, it must be said, that the joy of the record comes not from the nostalgic feelings created, but the way the band have brought these sounds bang up to date, by mixing in many other things; from warm gruff punkish vocals, to new wave emo and hardcore, there is nothing they’re not afraid to blend in but it’s all constructed in a sympathetic way making many of the tunes here instantly likeable.

 

Cayetana coverCayetana – Nervous Like Me
I’ve made no secret on this blog that all girl Philly trio Cayetana became one of my new favourite bands as soon as I heard their Demo back in January 2013, so it’s probably no surprise that their debut full length album features high in this list.  In the simplest terms, Cayetana write songs that make me feel glad to be alive and I’ve come back to this album over and over again since its release  and it never fails to lift my sprits with its raw edged but instantly likeable melodies.

 
SolidsSolids – Blame Confusion
This Emo duo from Montreal use plenty of fuzz and rock pretty hard on their debut full length; they’re one of those bands that leaves you wondering how two people can make so much noise. Their sound recalls 90s indie-rock and perfectly straddles the line between shoegaze and punk, but they also lace each tune with a hooky, melodic edge which makes for an addictive album overall – it’s certainly had me coming back for more.

 

Pariso Svalbard splitPariso Svalbard Split LP
It’s not a huge surprise to see these two great bands coming together to make a split album – they’ve toured together many times  and musically its clear they are on a similar wavelength, but even for a split record, Pariso and Svalbard have produced a truly collaborative effort here – going one step futher than most and writing and performing two of the tracks as one band; like a gnarly supergroup of sorts.  All three vocalists from the two bands play a part and there is a healthy amount of the heavy duty power you’d expect from these two, with meaty riffage a feature of course, but there are also some nice lighter touches throughout balancing the sound well.

 

Flesh World cover imageFlesh World – MLP
I read many great reviews for this record this year and quickly found out that all were well deserved – this is a fantastic album.  Post-punk with memorable melodies, wrapped in warm fuzz; it’s dark and moody but also catchy and infectious and I haven’t been able to stop listening to it throughout 2014 and no doubt through the year to come.

 

 

Hag Face, Rag Face Cover ImageHag Face – Rag Face
All girl Canadian punk band Hag Face released this great record in April – it’s only $2 on Bandcamp so no excuses. I’ve been totally won over by their raw edged charm – melodies hide under blown out riffs, feedback squeals and screams.  I love the angsty energy, fantastic vocals and rock and roll rhythms – it all hooks you in so easily, making this a totally addictive record.

 

Bleeding Rainbow Interrupt Album Cover
Bleeding Rainbow – Interrupt
Classy shoegaze from this Philadelphia mob; hooky, melodic and memorable tunes pepper an album with no filler. This band has been around for ages (previously under the Reading Rainbow moniker) but only just made it on to my radar, for shame.

 

The Good Wife Cover Image
The Good Wife –  Love Songs

This is available for free via Bandcamp in an unmastered format as unfortunately The Good Wife is no more.  Apparently the band split up shortly after recording this album but even in its unfinished form it holds some monstrous tracks and serves as a reminder of how great this Brit noise-rock band were.

 

Svin album coverSvin – S/T
Another great record from the Danish avant-garde instrumentalists. This one feels more robust due to some meaty riffage and heavier duty drumming than I’ve heard from them recently.  Less of an emphasis on melody gives the record a more hypnotic, psychadelic feel, with a hint of the industrial in the drum patterns.  They haven’t lost their delicate touch however, the minimal track Alt is heartbreakingly beautiful.

 

Brain F#
Brain F# – Empty Set
Fast, bratty punk from Carolina with great vocals; this is fun and catchy stuff you can dance to. Not entirely sure it has the staying power of a classic album but it’s been a blast to listen to this year – sometimes all you want to do is rock out.

 

 

 Generacion Suicida Todo Termina
Generacion Suicida – Todo Termina
Hardcore punk from Los Angeles with Spanish lyrics. This is an addictive record, the tunes are super catchy and the riffs get you moving. It reminds me of that fantasic Neon Piss album from a couple of years ago – punchy, snappy tunes with heart and melody. So good.

 
Up River - UndertowUp River – Undertow
The first thing you notice about this new record from Brighton post-hardcore four piece Up River is the excellent production, it brings out every nuance, making for a crunchy and raw sound but it also makes the record sound huge rather than minimal – it’s spot on.  Honestly I wasn’t sure what to expect from the cover art, but as soon as you put the album on you are hit with the rich guitars pumping out hooky riffage and emotive yet controlled vocal screams – this is hardcore done very well and it makes you remember what you love about it.

 
Iceage album coverIceage – Plowing Into the Field of Love
This new third album from Iceage sees a change of style for the band – the scuzzy punk seems to have taken a back seat to more indie experimentalism, with a darker, inward looking mood taking over.  While it feels like a band throwing open the doors musically to new avenues and stepping outside their comfort zone to bend those ideas into something different, there has been a backlash of bile from existing fans, accusing the new album of being being a Nick Cave clone.  I’m not in agreement with this pointless name calling and would recommend the record.  It is a change of direction, yes, but the melodies are very much Iceage, the vocal delivery and lyrics are not much altered and above all this is a collection of great tunes that deserve to be heard.

 

EPs and Singles
Broncho – It’s On 7″
Hysterics – Can’t I Live EP
Beach Slang – Who Would Ever Want Anything So Broken?
Everyone Goes To Space – Demo
Gag – Locker Room 7″
Primetime – S/T EP
Rakta – S/T 7″

Pariso / Svalbard Split Album Review

Pariso/Svalbard Split LP Review

Pariso Svalbard splitIt’s not a huge surprise to see these two great bands coming together to make a split album – they’ve toured together many times in the last year (since meeting in Cardiff supporting Direwolves) and musically its clear they are on a similar wavelength, but even for a split record, Pariso and Svalbard have produced a truly collaborative effort here – going one step futher than most and writing and performing two of the tracks as one band; like a gnarly supergroup of sorts.

The album opener Floating Anchors is one of these collaborative tracks and it goes so far as to feature all three vocalists from the two bands.  The tune certainly gives us the heavy duty power you’d expect from these two, with meaty riffage a feature of course, but there are also some nice lighter touches throughout balancing the sound well.

Pariso have four tracks on the LP, these are filled with aggressive power, which won’t surprise you if you’re familiar with them. The guitar sound is all about meaty chuggs and downtuned riffs but there are variations; the excellent Helios, The Demise has a dreamy stoner edge whilst Delirium is darkly metallic in feel.  These tracks are just as intense as, but feel more straightforward than those on their recent album Consanguinity – or perhaps that should read, they feel less playful, as here it is the heady intensity that rules the day above all else.

Svalbard have three tracks here and I think this is the best they’ve sounded, melding lovely chiming guitars with aggression from the duel girl/boy vocals and fast/heavy drums – their tunes are epic and heavy and very addictive – wringing out an emotional skin tingling reaction from you. Ripped Apart will have you grooving and head banging at the same time – solid riffs and vocals you can scream along with as well as some really melodic guitar sections that soar. Greyscale is fist pumpingly heady and upbeat and Allure is moodier with a really epic post-rock feel bringing to mind scene heavyweights Envy a times but also retaining Svalbard’s own core sound at every turn – this is the sound of a band really coming into their own.

Svalbard / Pariso is released on 7th July through Tangled Talk Records in the UK.  The US release is through Holy Ground, for France through Swarm of Nails and in Germany via Through Love. Just Get it.

Goodtime Boys Live Review, Undertone, 24th May 2014

Rain

It would have been great to have heard the Goodtime Boys new album Rain properly before seeing them play on 24th May, but it wasn’t to be – our PC only came back from the shop a few days ago after breaking down with the album stuck inside its cold dead maw, leaving me sadly playing catch-up.

Honestly though, not knowing the tunes by heart didn’t take anything away from their performance, which was strong and fluid.  Since seeing them last in 2012 it feels like the Goodtime Boys sound has evolved gradually into something more melodic and varied and in a live setting the band felt tighter and more confident.  It was a commanding performance even in that small venue, and with no stage to separate them and us, they held our attention easily while they ripped through their set – playing pretty much the whole of the new album.

It feels strange that Goodtime Boys are still playing £5 gigs in tiny basement venues in the UK when they’re signed to Bridge 9 in the US, but Pennie explained to me after the gig that the band is not interested in being the next big thing; after all, he’s been there before and to me it seems right that they are getting to play with bands they love in front of smaller groups of hardcore fans like this.

Of course, it wasn’t just Goodtime Boys playing, before the headliners the excellent Svalbard opened the evening with their noodling envy style guitars over screamed girl/boy vocals.  This band are getting better all the time and I’ve read a few reviews where they’re being touted as the best upcoming band in the UK and it’s understandable – they sound fantastic live, arguably better than their recorded output. They are obviously well practised and pull off all those epic post-rock style moments with ease, sounding huge in the small venue.  They also pulled in a pretty sizeable crowd for first band on.

Next up was London hardcore mob Grappler; under the surface of weighty riffage and heavy hit drums there is a lot more going on – some complex guitar work and nicely melodic sections filter through and I imagine that on record the little touches would be even more evident. Their live show is all about their intense frontman though – he’s almost scary up that close – leaning in and screaming in our faces whilst eyeballing us with manic stares and then moving side to side, kicking out and flailing limbs in every direction catching the front row with glancing blows.

I’m going to recommend you check out all the bands mentioned here – Goodtime Boys debut full length album Rain is out now through Bridge 9 in the US or you can order from Palm Reader Records in the UK.  Svalbard and Grappler can be found and listened to on their Bandcamp pages (links in the band names).

 

 

Records Of The Year 2013

Compared to 2012’s bumper crop of releases, this year has been slim pickings (in my opinion) so I’ve cropped my list down to a modest 6 albums and 5 EPs.
There have been lots of good releases, just not many that have blown me away, The Coltranes new album for example was one I was really looking forward to and while I’ve enjoyed listening to it, it didn’t excite me like their last one did.  In fact, many of the records I’ve loved this year have been older releases – Swearin’s 2012 release is a real corker and Make Wave’s 2011 album is an utterly charming slice of indie-surf and was the soundtrack of my summer.   Albeit it’s shorter than I’d intended, but for what it’s worth, here is my best of 2013 list, if you don’t agree let me know what I should have been listening to!


Drug Church CoverDrug Church – Paul Walker

The New York punk-rock five piece released this belter of an album in July, i knew at the time it would make my end of year ‘best of’ list and compared them to Fucked Up, Blacklisters and Slices in my review for Room Thirteen.
Read full review


pariso cover imagePariso – Consanguinity

After catching Pariso a couple of years ago at Swn Festival in Cardiff (and being impressed by them) I’ve been checking back on the UK five piece regularly and was pleased to discover they were releasing this full-length album in the Summer. I had this to say about it: The album is never just nasty however, right from the start you have the finesse of the slow, doomy (and dare I say melodic) sections of The Separation to lead you in to the sound of the record and many of the other tracks are peppered with interest.
Read full review

 

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MINE – Disappear EP Review

MINE Disappear cover imageWriting a review of new material by a band you really like is more difficult than a scathing write up of something utterly shit, so it was tempting just to enjoy the new MINE EP for my own purposes, however, I just had to give it some coverage as it’s practically all I’ve been listening to for the last few days, so here we are.

One of the initial things that caught me about this new material from the London hardcore mob, was the moments of dreamy bliss followed by intense aggression that made me love their debut EP are still in evidence here, (thankfully), and each listen has left me with goosebumps running up my arms.  The EP may not be as immediately memorable as that debut, but after two or three listens it becomes essential and just as addictive; the brilliantly hooky riffage of opener Stand Up Straight and Let Me Take A Look At You is typical of the sound on the record – the riffs are so catchy you can sing along to them, the screams are intense but warm and the dreamy asides are moody and epic.

Although the differences in sound are subtle, Disappear actually feels more even and cohesive than their last record – the flow from slow to fast and delicate to heavy duty is seamless, feeling more organic, and the atmosphere is fully formed and all encompassing. They sound more like MINE and less a sum of their influences and past musical endeavours.  It’s superb and I’m totally sold.